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DTSTART;TZID=America/New_York:20250821T190000
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SUMMARY:Strange Angels
DESCRIPTION:Brookline native Jameson Quinn will premiere the pilot for his new boxing drama at The Lindsay.\n\n\n\n\n\n\nRSVP Here!\n\n\n\n\n \n\n\n\n\nThe Lindsay’s first Emerging Filmmakers Showcase of August is a locally filmed television pilot set in Pittsburgh’s boxing community. \n\n\n\nStrange Angels is a screen adaptation of Lawrenceville native Ernest Keegan’s 2018 novel of the same name. Brookline’s Jameson Quinn directed this 39-minute project that will hopefully serve as the premiere episode for a full TV season. \n\n\n\nHis pilot will premiere at The Lindsay on Thursday\, Aug. 21\, at 7 p.m. Tickets are free\, but RSVPs are recommended in advance due to space limitations. Quinn will be on hand for a Q&A following the screening. \n\n\n\nChristina Chickis stars as Marylou Caponi\, a boxing gym owner navigating a sordid world and her complicated feelings for Dan McClain (Quinn)\, her head trainer and a former fighter. The cast also includes Jose Caraballo\, Andrew Diskin\, Christine Mancini\, Ryan Covert\, Jess Uhler\, and Eddie Holliday. \n\n\n\n\n \n\n\n\nQuinn spent his formative years in Brookline writing\, playing ice hockey and competing as an amateur boxer. He is now living his dream as a professional actor and filmmaker. In addition to regularly appearing in regional independent projects\, Quinn also often finds work in locally filmed Hollywood fare like The Dark Knight Rises\, One Dollar and Mayor of Kingstown. \n\n\n\nKeegan graduated from Peabody High School in 1965 and joined the Air Force a year later. After finishing his military stint in 1969\, Keegan worked for Bell of Pennsylvania—now Verizon Pennsylvania—until his retirement in 2002. Keegan was an amateur boxer in the 1960s\, and his knowledge of that scene helped inspire and inform Strange Angels.
URL:https://thelindsaytheater.org/event/strange-angels/
CATEGORIES:Community Partnerships,Emerging Filmmakers,Free Events,Guest Speaker
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DTSTART;TZID=America/New_York:20250828T190000
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SUMMARY:Trial 54
DESCRIPTION:Watch local filmmaker Davis Rohrer’s new sci-fi thriller—and much more— at The Lindsay!\n\n\n\n\n\n\nRSVP Here!\n\n\n\n\n \n\n\n\n\nThe Lindsay’s second Emerging Filmmakers Showcase of August includes the public premiere of an exciting new sci-fi thriller. \n\n\n\nTrial 54 is the latest project from Pittsburgh-based filmmaker Davis Rohrer and his production company\, The 6 Shop Films. It comes with a tantalizing tagline: “The revival of the soul is possible.” \n\n\n\nThat film will be one of a few Rohrer-produced shorts screening at The Lindsay on Thursday\, Aug. 28\, at 7 p.m. The lineup will also include showings of shorts The Gray Sea and Recurrence\, as well as a sneak peak at Rohrer’s upcoming docuseries about West Virginia University’s football team. \n\n\n\nTickets are free\, but RSVPs are recommended in advance due to space limitations. Rohrer will be on hand following those screenings for an in-person Q&A. \n\n\n\n\n \n\n\n\nTrial 54 stars Molly Miller as Sarah\, a participant in an experiment designed to help regain memories. As outside forces close in\, the truth of what this trial is actually hoping to prove unfolds—along with the ambitions of her doctor\, Miles Heston (Jack Erdie). The Trial 54 cast includes Mickey Miller and Natalya Wood. \n\n\n\nRohrer is a New Jersey native\, WVU graduate and military veteran. He has filmed many advertisements\, news packages\, documentaries\, training videos\, live events and more during his 13 years in the Army National Guard. In addition to short films\, Rohrer also has experience filming music-related content in West Virginia\, New York and Washington\, D.C. He hopes to eventually film a feature-length Trial 54 in Pittsburgh.
URL:https://thelindsaytheater.org/event/trial-54/
CATEGORIES:Community Partnerships,Emerging Filmmakers,Free Events,Guest Speaker
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SUMMARY:The Lindsay's Third Annual Documentary Series
DESCRIPTION:A new school year is upon us. At The Lindsay\, this means it’s officially documentary season! \n\n\n\nOur third annual Documentary Series will get everyone’s intellectual juices flowing with a selection of six fun and fascinating films. Visit us from Aug. 29-Sept. 11 to soak up a wealth of information on art\, ecology\, language\, health care and much more. \n\n\n\nArt enthusiasts will definitely want to check out Georgia O’Keeffe: The Brightness of Light and the Thomas Kinkade reexamination Art for Everybody. Sanibel explores the devastating effects of natural disasters\, while Single-Use Planet enlists Beaver residents to investigate a manmade environmental calamity. \n\n\n\nRebel With a Clause is a lighthearted experiment in sewing divisions through bringing out our inner grammar nerds. Caregiving is a moving snapshot of the many\, many Americans facing the daunting task of caring for a sick or aging loved one. \n\n\n\nTickets for these exhilarating and thought-provoking documentaries—plus a few showtimes also featuring filmmaker Q&As—are now available on our website. Embrace that academic spirit and enjoy a documentary (or two\, or three) at The Lindsay! \n\n\n\n\n\n\n\n\n\n\n\nRebel With a Clause\n\n\n\nNR | 1h 26min\n\n\n\nDirector: Brandt Johnson\n\n\n\nStars: Ellen Jovin\, Brandt Johnson\n\n\n\n\n\n\n\nFor Ellen Jovin\, grammar isn’t a set of rules in need of policing. That’s why this “roving grammarian” started setting up public “Grammar Tables” with the express purpose of inviting anyone to ask questions and\, ideally\, inspire civil and scintillating discussions. \n\n\n\nRebel With a Clause chronicles Jovin’s experiences behind her Grammar Table in all 50 states. Director (and Jovin’s husband) Brandt Johnson follows Jovin around as she interacts with everyday folks who have equally passionate opinions about the English language. \n\n\n\nJohnson and Jovin’s documentary is “the funniest movie so far this year\,” declares The Berkshire Edge. “The action is breezy and lighthearted” while also offering “instances of surprise” for even the most diehard grammar aficionados\, writes The New York Times. \n\n\n\n“Grammar is language glue that binds us together\,” Jovin told CBC News. “While we’re talking … we get this human connection\, this sense of community\, and it just feels so joyous and sometimes even raucous.” \n\n\n\nJohnson and Jovin will join us for an in-person Q&A following the 7 p.m. Rebel With a Clause screening on Friday\, Aug. 29. \n\n\n\n\nTickets and Showtimes for Rebel With a Clause\n\n\n\n\n\n\n\n\n\n\n\n\nArt for Everybody\n\n\n\nNR | 1h 46min\n\n\n\nDirector: Miranda Yousef\n\n\n\nStar: Thomas Kinkade\n\n\n\n \n\n\n\nChances are good you’ve seen a Thomas Kinkade original. You may even own a print or mug made by one of the most commercially successful (and critically reviled) artists in American history. \n\n\n\nArt for Everybody documents Kinkade’s difficult life and shows that there was more to this “Painter of Light” than anyone could’ve guessed. \n\n\n\nDirector Miranda Yousef takes viewers into Kinkade’s “vault” of previously unreleased works that his family discovered following the artist’s shocking 2012 death. There are thousands of paintings in that collection\, many of which are darker and more formally interesting than the average Kinkade pastoral. \n\n\n\n“Many fascinating threads” are explored in Yousef’s “insightful and highly entertaining documentary\,” raves Variety. Art for Everybody is a “well-structured\, meticulously researched and revealing” film\, proclaims The New York Times.  \n\n\n\nAdds RogerEbert.com: “Miranda Yousef has come up with a structurally complex and very empathetic portrait of a troubled man. … This is a fascinating documentary about a family discovering the depth and complexity of their patriarch while coming to terms with his flaws.” \n\n\n\n\nTickets and Showtimes for Art for Everybody\n\n\n\n\n\n\n\n\n\n\n\n\nSanibel\n\n\n\nNR | 1h 6min\n\n\n\nDirector: Jamie Winterstern\n\n\n\nStars: Emily Miller\, Judy Beerman\n\n\n\n\n\n\n\nSanibel was originally conceived as a wholesome look at seashell culture in Southwest Florida. Its two stars\, Emily Miller and Judy Beerman\, are jovial figures with deep roots in that very tourist-friendly area. \n\n\n\nSix weeks into filming\, Hurricane Ian ravaged the Florida coast—including the tiny island of Sanibel. There was no way director Jamie Winterstern’s film could continue as planned amidst so much destruction and despair. \n\n\n\n“It looked like a nuclear bomb had let off\,” Miller told WBBH-TV. “All I could do was cry and say\, ‘My beloved island!’” \n\n\n\nWinterstern’s film suddenly became an exercise in capturing a grieving community’s efforts to heal and rebuild. Miller and Beerman instantly became symbols of hope and examples of resilience. \n\n\n\n“They’re very special people\,” Winterstern told WBBH. “I think being able to give them a voice is an accomplishment of what this movie does\, and I’m proud of it.” \n\n\n\nWinterstern will participate in a virtual Q&A following the 5 p.m. Sanibel screening on Monday\, Sept. 1. \n\n\n\n\nTickets and Showtimes for Sanibel\n\n\n\n\n\n\n\n\n\n\n\n\nSingle-Use Planet\n\n\n\nNR | 57min\n\n\n\nDirector: Steve Cowan\n\n\n\nStars: Rocco Martini\, Sharon Pillar\, Lew Villotti\n\n\n\n\n\n\n\nWe’re all taught from an early age to separate trash from recyclable materials. So then why does so much plastic still end up in our oceans? In Single-Use Planet\, director Steve Cowan attempts to uncover the political and economic factors that have resulted in plastic becoming a major aquatic pollutant. \n\n\n\n“While filming content for another project out at sea\, we found ourselves at times amidst vast gyres of ocean plastic stretching from horizon to horizon\,” Cowan tells KQED. \n\n\n\n“We knew at that point that we had to tell the story of the growing dangers of the overuse of discardable\, single-use plastics that are threatening our oceans and\, in many cases\, our health.” \n\n\n\nCowan’s investigation begins in Pennsylvania and features plenty of politicians\, scientists and concerned citizens from the Keystone State. Single-Use Planet interviews a few figures from the Pittsburgh area—including multiple Beaver residents and leaders. \n\n\n\n“Ultimately\, each person and family will make their own decisions about using plastic\,” says Cowan. “We simply hope to provide as much information as possible to inform those decisions.” \n\n\n\nLocal environmental experts and advocates will join us for an in-person panel discussion following the 2:45 p.m. Single Use-Planet screening on Saturday\, Sept. 6. \n\n\n\n\nTickets and Showtimes for Single-Use Planet\n\n\n\n\n\n\n\n\n\n\n\n\nCaregiving\n\n\n\nPG | 1h 54min\n\n\n\nDirector: Chris Durrance\n\n\n\nStars: Bradley Cooper\, Uzo Aduba\, Matthew Cauli\n\n\n\n\n\n\n\nEvery day\, roughly 63 million Americans serve as primary caregivers for an ill or aging loved one. Their lives are put on pause due to this immense responsibility they perform out of pure devotion—but also at great physical\, mental and financial costs.  \n\n\n\nCaregiving spotlights the daily challenges and triumphs experienced by just a few of these individuals. Director Chris Durrance’s subjects include a young father caring for his wife and son; a 14-year-old helping his father look after his ailing mother; and a young woman taking care of her dementia-stricken father. \n\n\n\nDurrance’s documentary was executive produced by Oscar nominee Bradley Cooper and narrated by Emmy winner Uzo Aduba. Both actors have served as caregivers for parents during their battles with cancer. \n\n\n\n“Caregivers are heroic people\,” says Cooper in a press release.”Their ability to focus and give all of themselves is something I stand in awe of. … It is my hope that Caregiving will provide affirmation and support for those who do this profoundly meaningful and increasingly vital work.” \n\n\n\nThe Lindsay showed a shorter Caregiving cut earlier this summer in front of a sold-out crowd. Documentary Series audiences will see the full version of this moving and powerful film. \n\n\n\nDurrance will participate in a virtual Q&A following the 7 p.m. Caregiving showing on Monday\, Sept. 8. \n\n\n\n\nTickets and Showtimes for Caregiving\n\n\n\n\n\n\n\n\n\n\n\n\nGeorgia O’Keeffe: The Brightness of Light\n\n\n\nNR | 1h 58min\n\n\n\nDirector: Paul Wagner\n\n\n\nStars: Claire Danes\, Hugh Dancy\n\n\n\n\n\n\n\nGeorgia O’Keeffe was affectionately known as the “Mother of American Modernism.” She lived for 98 captivating years that produced countless masterpieces and a great deal of interest in her personal life. \n\n\n\nGeorgia O’Keeffe: The Brightness of Light is a comprehensive window into O’Keeffe’s remarkable talent\, her relationship with fellow artist Alfred Stieglitz and the renowned painter’s lasting impact on an entire medium. \n\n\n\nThe film is narrated by Hannibal star Hugh Dancy\, and Emmy winner Claire Danes serves as O’Keeffe’s voice. The Brightness of Light was directed by Paul Wagner\, who won the 1985 Academy Award for Best Documentary Short as co-director of The Stone Carver. \n\n\n\nPaul and Ellen Casey Wagner\, his producing partner and wife\, were inspired to make The Brightness of Light after perusing a museum exhibit about O’Keeffe in 2018. Their goal was to make the greatest documentary about O’Keeffe in nearly half a century. \n\n\n\n“In the last years of Georgia O’Keeffe’s life\, curator Sarah Greenough of the National Gallery of Art created an exhibit including letters to and from Alfred Stieglitz\,” Paul Wagner says. “O’Keeffe had only two requests regarding the presentation. We have attempted\, in creating our film\, to adhere to the same two standards—to make it beautiful and to make it honest.” \n\n\n\nPaul and Ellen Casey Wagner will participate in a virtual Q&A following the 3 p.m. The Brightness of Light showing on Sunday\, Aug. 31. \n\n\n\n\nTickets and Showtimes for The Brightness of Light
URL:https://thelindsaytheater.org/event/the-lindsays-third-annual-documentary-series/
CATEGORIES:Documentaries,Film Festivals,Guest Speaker
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